2010 Walkley Award Winners

Gold Walkley / Television News Reporting

Laurie Oakes, Nine Network, “Labor leaks”  read more

All Media: Social Equity Journalism

ABC Radio National, 360 documentaries, “The too hard basket” read more

Best Online Journalism

Andrew Meares, smh.com.au and nationaltimes.com.au, “Phonearoids: Looking Back at Moving Forward"  read more

Daily Life / Feature Photography

Lisa Wiltse, Getty Images, “Potosi”” read more

Best Three Headings

Paul Cully, The Sydney Morning Herald read more

All Media: Coverage of Indigenous Affairs

Warwick McFadyen, The Age, “To the end, a killer’s gilt show’s through” read more

All Media: Coverage of Community and Regional Affairs

Nicole Hasham and Laurel-Lee Roderick, The Illawarra Mercury, “Fund collapse ruins families” read more

All Media: Best Sports Journalism

Adrian Proszenko, The Sun-Herald, “Melbourne Storm rorts salary cap” read more

Sport Photography

Michael Dodge, The Herald Sun, “Magical Moments”   read more

Radio News and Current Affairs Reporting

 Stephen Long, ABC Radio, PM, “Long-term returns not so super” read more

Radio Feature, Documentary or Broadcast Special

SBS, World View, “Echoes of Srebrenica”

read more

Magazine Feature Writing

David Marr, Quarterly Essay , “Power trip: The political journey of Kevin Rudd” read more

All Media: Best Scoop of the Year

Lenore Taylor, The Sydney Morning Herald, “ETS off the agenda until late next term”

read more

Best Cartoon

Mark Knight, The Herald Sun, “Moving forward”

read more

Best Artwork

Eric Löbbecke, The Australian, “Rudd’s dangerous climate retreat” read more

Outstanding Continuous Coverage of an Issue or Event

Stephen Fitzpatrick, The Australian, “Sri Lankan asylum seeker stand-off” read more

Newspaper Feature Writing

Pamela Williams, The Australian Financial Review, “Kill Kevin” read more

News Photography

Brett Costello, The Daily Telegraph, “Jessica”  read more

All Media: Business Journalism

Michael Bachelard, The Sunday Age, “The shadow side of a cardboard king” read more

Photographic Essay

Phil Hillyard, The Daily Telegraph, “Prime Minister Julia Gillard”  read more

All Media: International Journalism

Mary Ann Jolley and Andrew Geoghegan, ABC TV, Foreign Correspondent, “Fly away children”  read more

Television News and Current Affairs Camera

Neale Maude, ABC TV, Four Corners, “A careful war” read more

Television Current Affairs, Feature, Documentary or Special (more than 20 minutes)

Sophie McNeill and Geoff Parish, SBS TV, Dateline, “Questions from Oruzgan” read more

Television Current Affairs Reporting (less than 20 minutes)

Fouad Hady and Ashley Smith SBS TV, Dateline, “Iraq’s deadly legacy”

read more

All Media: Investigative Journalism

Linton Besser, The Sydney Morning Herald, “The wrong stuff”

read more

Broadcast and Online Interviewing

Kerry O’Brien, ABC TV, The 7.30 Report, “The Rudd and Abbott interviews”

read more

All Media: Commentary, Analysis, Opinion and Critique

Andrew Cornell, The Australian Financial Review, “Once bitten: How Australia’s banks dodged the crisis” read more

Nikon-Walkley Press Photographer of the Year
 

Jason South, The Age read more

Walkley Book Award

Shirley Shackleton, The Circle of Silence: A personal testimony before, during and after Balibo (Murdoch Books)  read more

Journalism Leadership

Kerry O’Brien, ABC TV presenter, The 7.30 Report  read more

Most Outstanding Contribution to Journalism

Cameron Forbes read more

 

Gold Walkley / Television News Reporting

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Laurie Oakes, Nine Network, “Labor leaks”
Laurie Oakes knows a good leak when he hears one. The Nine Network’s federal political editor heard two whispers during the 2010 election campaign – and sent them echoing around Australia. The first leak, put direct by Oakes to Julia Gillard during a National Press Club address, was the claim that she had reneged on a deal with Kevin Rudd over any leadership challenge. The second leak involved details of her apparent opposition in cabinet to paid parental leave and an increase in the aged pension. Both stories were reported nationally, crediting Oakes. His stories became significant issues in the election debate – not just the leaks themselves, but the question over who was the source. Laurie Oakes is one of Australia’s foremost political commentators and authors. He has had a distinguished career in journalism spanning more than 40 years and is renowned for his probing interviews and scoops. His commentary and news-breaking ability have earned him the respect of both his peers and politicians, and in 1998 he won the Walkley Award for Journalistic Leadership. As well as reporting on federal politics as political editor for Nine News, for more than 20 years Oakes wrote an influential political column in The Bulletin. Since The Bulletin ceased publication, he has penned a weekly column in Brisbane’s Courier-Mail and other News Limited tabloids around Australia. Judges’ commentsThe question Laurie Oakes put to Julia Gillard was inescapable – it was like a half-nelson. Showing the depth of sources at his disposal, the Canberra veteran trumped everybody and totally derailed the election campaign.

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All Media: Social Equity Journalism

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Steve Pennells
John Blades, ABC Radio National, 360 documentaries, “The too hard basket”
Disabled people are rarely touched in a loving way or thought of as sexually desirable, yet they have the same need for a sex life as everyone else. This is the oddly confronting subject explored in “The too hard basket” by John Blades, who was diagnosed with multiple sclerosis (MS) in 1982 and who cannot move his body from the neck down. In the documentary, Blades tells his own story of his loss of independence, depression and decades of celibacy – and then of how he read about a sex worker who specialises in disabled clients. Blades talks to two sex workers who have disabled clients about the importance of touch to every human being, their experiences with people who are having sex for perhaps the first time, and the healing nature of their work. John Blades has been presenting and producing programs about experimental music on community station 2MBS-FM for 28 years. He has also made programs about film and music for ABC Radio National. He has a Masters degree in civil engineering and a passion for outsider art and cinema. He spreads the word about life with MS through talks and articles. Judges’ comments Remarkable journalism that tells us an enormous amount about a subject that is usually disregarded, even taboo in mainstream media, and tells us the story from the inside, with sensitivity and unblinking honesty.

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Best Online Journalism

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The Maroondah Leader online team

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Andrew Meares, smh.com.au and nationaltimes.com.au, “Phonearoids@mearesy: looking back at moving forward”
“These days,” says Andrew Meares, “everyone is a photographer.” In the 2010 federal election, Meares was confronted by the fact that anyone with a point-andshoot or even a camera phone was documenting the campaign. So he decided to document this change, shooting the periphery of the campaign trail – the press pack, in-flight meals, security personnel – using the camera on his iPhone. He processed his images through an app, in homage to the Polaroids of another era, and instantly uploaded to Twitter. “It’s put me in this present tense,” Meares says of his work during the campaign. In another series, he used key news photos, stop-motion animation and his “phonearoids”, and added a soundtrack to take the viewer on a unique retrospective of Julia Gillard’s first week on the campaign trail. Andrew Meares began as a cadet photographer in The Sydney Morning Herald darkroom in 1991. Since then, in the line of duty, he has been shot at, spat on, shelled, chased, banned, detained and he walked away with stitches from the Cronulla riots. He has been on the sidelines of elections, the Olympics and grand finals and has twice completed the Sydney to Hobart yacht race. In 2005, Meares began telling screen-based stories online, combining his photos with audio. Moving back to the federal parliament’s press gallery in 2008, he established a video capability for the Fairfax bureaux that includes live streaming, multiple camera video interviews and short documentaries.
Judges’ comments
Meares took viewers outside the frenetic heat of the election campaign to cut through the political spin. He combined great storytelling and sharp observational skills with an innovative use of technology to deliver a unique and thoroughly engaging view of the election. In a campaign dominated by 24-hour news cycles, Meares’ images provided a rare moment of clarity and told the election story in a compelling and original way.

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Daily Life / Feature Photography

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Kirk Gilmour

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Lisa Wiltse, Getty Images, “Potosi”
A mountain in Potosi, Bolivia contains the largest deposits of silver the Spanish empire ever found. For Europeans it became a land of mythical riches, but to this day Potosi’s mine spells suffering and death for the indigenous population. Few miners live longer than 20 years after starting work in the mountain. Two-thirds of Potosi’s population have respiratory ailments; silica dust in the air causes blackened lungs and silicosis. The infant mortality rate is 135 per 1000, and more than 30 per cent of the population is illiterate. Women and children beg on the streets. More than 6500 children, some as young as nine, work for the mines, loading tippers, engraving holes for explosives, and searching for precious metals. They labour up to 10 hours a day, fuelled by bags of coca leaves. Freelance photographer Lisa Wiltse photographed Potosi teenagers as they performed a wretched daily commute to perform double shifts underground for a few dollars’ pay. Wiltse moved to Sydney from the United States in 2004, working as a staff photographer for The Sydney Morning Herald. In 2008, she decided to pursue a freelance career and in 2009 she moved to La Paz, Bolivia. She has travelled extensively, focusing on documenting everyday life in marginalised communities.
Judges’ comments
The relentless hardships endured by the children are apparent in each image. This is a revealing view of a little-known community, which shows Wiltse’s empathy for her subject.

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Best Three Headings

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Paul Cully
Warwick McFadyen, The Age, “Heads and tales”

When gangland killer Carl Williams was given a gold-coffin send-off by his family, friends and associates, Warwick McFadyen couldn’t resist blurring the line between “gilt” and “guilt”. The other headlines in his winning entry were inspired by Harry Kewell’s red card for a handball in the World Cup, and by a story on the difficulties young people face getting into the housing market. McFadyen started at the Newcastle Herald before moving to Melbourne. Aside from a short stint in Canberra and a longer period living in Ireland, he has been at The Age since 1987. His work there flows between writing and production. He has been a Walkley finalist three times. This is his second Walkley Award.

Judges’ comments
Warwick McFadyen’s three headings are an outstanding example of his craft. Whether it be a front-page splash, a heart-wrenching moment in sport or column commentary, he has shown a concise and accurate understanding of each story and the context in which it unfolded. A very high standard of work produced against the backdrop of daily deadline pressures.

“From second fiddle to fecund Siddle”
“Benji Martian”
“The curious case of Jenson Button, the man whose salary is stuck in reverse” 

All Media: Coverage of Indigenous Affairs

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Janine Cohen, Liz Jackson and Kate Wild

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Martin Butler and Bentley Dean, ABC TV, Contact
Contact was filmed deep in the desert of Western Australia, where in 1964 there took place Australia’s final instance of first contact between Indigenous Australians and white settlers. Martin Butler and Bentley Dean were confronted by a logistical nightmare in the desert, but the two-man crew was able to establish a non-intrusive filming style that put the Martu women involved at ease. Despite the small crew and minimal equipment, the piece has the cinematic look of a large production rather than the shaky, hand-held feel of much video-journalist camerawork. Yuwali, who was 17 when the encounter took place in 1964, gives a first-hand account of the fear, panic and sheer bewilderment as “the devils” in their “rocks that move” [cars] chased them around the desert.
Martin Butler and Bentley Dean co-directed and co-produced Contact. Butler graduated from Oxford University, worked as an assistant to the manager of The Who, and spent 20 years in the field and in senior production at Four Corners, Foreign
Correspondent and Dateline. Dean was a contestant in ABC TV’s first Race Around the World in 1997, and has filmed and directed stories for Dateline as well as several award-winning documentaries.
Judges’ comments
This is a highly original account of Australia’s final – but practically forgotten – “first contact”. The narrative tension is superb, the research impeccable and the competing perspectives are nuanced yet telling. Contact allows the Aboriginal “talent” both primacy and a sense of humour. A stand-out piece of journalism.

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All Media: Coverage of Community and Regional Affairs

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Louise FitzRoy, Steve Kyte, Kon Karamountzos and Simon Rogers

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Nicole Hasham and Laurel-Lee Roderick, The Illawarra Mercury, “Fund collapse ruins families”
Early this year, The Illawarra Mercury received a tip: two Wollongong financial planning firms had heavily invested clients’ money in Trio Capital, a company on the brink of collapse. About $123 million invested in Trio’s flagship fund has disappeared without trace. Since the Mercury began its investigations, one Wollongong solicitor has signed up more than 160 clients facing hefty losses. The breakdown of Trio Capital has been as disastrous for Wollongong investors as the collapse of Storm Financial was in Townsville. Reporters Nicole Hasham and Laurel-Lee Roderick tracked down dozens of devastated investors, convincing some to allow their stories to be printed. The two reporters remained in front of the story as the NSW Supreme Court heard that one of the Wollongong firms, Tarrants Financial Consultants, had accepted $840,000 in undeclared payments from Trio Capital. Later, Tarrants was placed into liquidation.
The Mercury also proved through ASIC searches that a senior Tarrants employee was behind the new company set up to take over Tarrants clients. The reporters devoted countless hours to the investigations, helping to make regulators ASIC and APRA accountable, despite their refusal to comment on the ongoing Trio investigations. Nicole Hasham began her newspaper career at Sydney’s Cumberland Courier group in 2007, after several years in magazines and online media. She joined The Illawarra Mercury in January 2010 and covers politics and general news. Laurel-Lee Roderick studied journalism at the University of Western Sydney and started at the Mercury as an intern in 2002. She worked there until 2007, then spent two years at The Cairns Post. Roderick returned to the Mercury for 18 months until October 2010.
Judges’ comments
This series of reports is an outstanding exposé of a complicated financial collapse and the devastating effects on hundreds of investors, workers and businesses. Relentless investigation and painstaking research has brought to light a massive regulatory failure and blame-shifting. The reporting includes an impressive array of personal stories demonstrating the shattering local impact; the reporters’ pursuit led to more exclusive revelations despite the main players hiding behind a public relations company. Succinct, confident writing with enormous public benefit.

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All Media: Best Sports Journalism

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Anne Connolly, Sarah Ferguson, Ivan O’Mahoney and Kate Wild
Adrian Proszenko, The Sun-Herald, “Melbourne Storm rorts salary cap”
Painstaking detective work and his sensitive handling of confidential sources enabled Adrian Proszenko to piece together the first reports on what was to become one of the biggest scandal in Australian sporting history. Proszenko’s initial news reports about questionable payments to players at champion rugby league club Melbourne Storm raised questions that prompted NRL CEO David Gallop to ramp up the NRL’s investigation into salary cap rorts at
the club.
Proszenko’s first reports ran in the first edition of The Sun-Herald on March 28. Three weeks later, Melbourne Storm officials confessed to systematically breaching the salary cap over a period of five years. The punishments were unprecedented. Adrian Proszenko is a senior sports journalist for The Sun-Herald. He covers a number of sports, but his main focus is rugby league. In recent years, he has broken some of the game’s biggest stories, including Sonny Bill Williams’ plan to walk out on the NRL; inside the Jason Taylor sacking; South Sydney’s Book of Feuds and the Timana Tahu racism rows. Prior to joining Fairfax, Proszenko was the chief rugby league writer for AAP.
Judges’ comments
Adrian Proszenko was the groundbreaker, revealing the initial investigation which led to the uncovering of a deeper, widespread salary cap rort. The story led to the exposure of the most breathtaking salary cap rorting in Australian NRL history.

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Sport Photography

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Phil Hillyard

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Michael Dodge, heraldsun.com.au, “Seizing the moment”

 

A sport photographer’s role is to seize the moment. Whether capturing the unexpected or making the most of the natural light, it takes high levels of concentration and discipline to be ready at all times – especially when things look pedestrian. Nothing much was happening in the minutes before Italian 250cc rider Roberto Locatelli overcorrected on the Phillip Island racetrack... or in the Saints vs Pies game before a verbal joust between Collingwood coach Mick Malthouse and St Kilda forward Stephen Milne... or when Roger Federer was being swallowed by late-evening shadow at Rod Laver Arena... or when St Kilda’s weeping captain, Nick Riewoldt, needed a hug after his team lost the AFL grand final to Geelong. And Bart Cummings was just standing quietly after yet another Caulfield Cup win when Michael Dodge’s 600mm lens captured two tears trickling out from beneath the veteran trainer’s sunglasses. Events such as these could have been mundane, but Dodge’s instincts and reflexes turned them into magical moments.
Michael Dodge started as a cadet photographer with The Herald Sun in 1991 and then joined Sports Weekly as a full-time sport photographer in 1995. He returned to The Herald Sun as senior sport photographer in 1997.
Judges’ comments
Michael has exhibited not only his ability to ‘capture the moment’ as an action photographer, but also a deft news sense born from his innate knowledge of the sports he covers. Dodge’s images are unique thanks to his intimate knowledge of the personalities he photographs.

 

All Media • International Journalism

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Samantha Donovan

 

Mary Ann Jolley and Andrew Geoghegan, ABC TV, Foreign Correspondent, “Fly away children”

Mary Ann Jolley and Andrew Geoghegan were on another assignment, staying in a hotel in Addis Ababa, when they noticed it was full of Western families and their newly adopted Ethiopian children. There was something confronting about the international adoptions happening en masse in Ethiopia. They felt it warranted scrutiny. A few inquiries to local and international human rights organisations revealed serious concerns about the lack of oversight of the industry and alarming stories about the way children were procured by adoption agencies.

But it proved a challenging story to film, requiring much planning and ingenuity. No international human rights organisation would go on the record, for fear the government would banish it from the country. Former agency employees and parents who had given up their children were terrified of airing their grievances, scared of reprisals from corrupt agency and government officials. And most American families who had been lied to about their adopted child’s background and/or medical condition, refused to be interviewed because they were worried they would have their child taken away or jeopardise their chances of adopting again. Mary Ann Jolley has worked as a producer and reporter on ABC’s Foreign Correspondent since 2001 and has filmed stories in some of the world’s most closed countries, including Saudi Arabia, North Korea, Libya, Sudan and Zimbabwe.

Andrew Geoghegan has been the ABC’s Africa correspondent since October 2006. He has covered the continent’s major stories, going undercover into Zimbabwe to investigate the political and humanitarian crisis, reporting in Somalia on the dangerous work undertaken by aid agencies, and travelling with the commander of the world’s largest peacekeeping force into the heart of the Darfur conflict. Both Geoghegan and Jolley have been recognised for their work, with several prestigious international awards. Together they won a Walkley in 2009 for Television Current Affairs.

Judges’ comments
This groundbreaking investigation into the Ethiopian adoption industry was a complex story told very well, with considerable effort made to treat the subject even-handedly. The story had a significant impact, leading to an investigation into the adoption industry in the United States and immediate changes being made to the US Embassy’s adoption visa processing system. Following the program here in Australia, our government suspended its Ethiopian adoption program and ordered a review.

 

Radio News and Current Affairs Reporting

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Samantha Donovan

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Stephen Long, ABC Radio, PM, “A Super Scandal”
 
Paul Keating called it his greatest reform for workers: a system to ensure that all Australians had security and dignity in retirement. Stephen Long’s report revealed that returns from Australia’s retirement savings system are shockingly low: net of all fees, charges and costs, just 3 per cent a year over a dozen years. Not satisfied with the claims by the industry and its paid consultants, Long undertook his own independent analysis of statistics compiled by the prudential regulator. His premise was that to assess the health of the system, you have to look at returns system-wide. The investigation showed a sick system. Long showed the courage to take on a powerful industry, move beyond its rhetoric and, through original research, highlight its failings.
Long has been the ABC’s economics correspondent, and previously its national finance correspondent, for the past six years. He came to the ABC after seven years as a senior reporter and columnist on The Australian Financial Review. In his 23-year career he has also worked for The Sydney Morning Herald and AA P, and as managing editor of a specialist business publisher. In 1999, he was seconded to the London School of Economics as researcher-in-residence.
Judges’ comments
Stephen Long’s stories for PM on the shortcomings of the current superannuation system were the result of solid, investigative research and analysis that showed how the returns from Australia’s retirement savings were shockingly low. He revealed that the real winners from compulsory super were those charging the fees to run it.

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Radio Feature, Documentary or Broadcast Special

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Anita Barraud

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Kristina Kukolja, SBS, World View, “Echoes of Srebrenica”

Anita Barraud went beyond the beaten track for this extensive primer on Indonesia’s transition to democracy after more than 30 years of dictatorship under military strongman Soeharto. She spoke to politicians, artists, analysts and activists not only in the cities, but in remote regions of West Timor and Aceh.

Her exploration of such complex issues as decentralisation, corruption, and Muslim identity after the Bali and Jakarta bombings was anchored with excellent radio production techniques including natural sound and descriptive writing. In a co-production with the BBC World Service, journalist/producer Barraud worked with support from BBC producer Neil Trevithick

Anita Barraud has worked for more than 20 years as a broadcaster with Radio National, making feature programs, reporting and producing across a range of specialist areas including European politics and arts, education, business, law, science and social justice issues. For 10 years she was a reporter on Asia and Pacific current affairs. She currently produces The Law Report and All in the Mind.

Judges’ comments

An outstanding use of the medium. The extensive use of natural sound, compiled with Anita’s skill in painting word pictures, gave the program a rich texture. She took on a number of guiding roles to tell the story – a history teacher, a tour guide, a political analyst. She delivered a very well-informed program. Her programs reflected the immense diversity of Indonesian culture and politics in the lead-up to the elections.

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Magazine Feature Writing

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Annabel Crabb

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Annabel Crabb, Quarterly Essay, “Stop at Nothing: The Life and Adventures of Malcolm Turnbull”  

This beautifully written and highly detailed character sketch of opposition leader Malcolm Turnbull combined new revelations with insights gleaned from his history in politics and business. As an examination of Turnbull’s character traits – audacity, fearlessness and impatience – the piece arrived at an extraordinary time and foreshadowed the events and leadership tensions that embroiled Turnbull in the months that followed its publication.

The OzCar affair – or “Utegate” – broke shortly after, crippling Turnbull in the opinion polls and demonstrating his preparedness to take risks in the pursuit of success, and his fondness for intrigue and adventure. Annabel Crabb researched and wrote the piece over several months with the consent of her editor at The Sydney Morning Herald. She spent hours with Turnbull for interviews and background discussions, and also spoke to dozens of Liberal Party politicians, present and past, businesspeople, lawyers, campaigners, bureaucrats and others who had encountered Turnbull in various of his earlier guises.

Annabel Crabb has been a political columnist and sketchwriter for The Sydney Morning Herald. She joined the federal parliamentary press gallery in 1999 and has reported on federal politics ever since, with one absence during which she served in London as the correspondent for Fairfax’s Sunday titles. This is her first Walkley Award.

Judges’ comments

Annabel Crabb’s Quarterly Essay on Malcolm Turnbull was newsworthy, incisive and funny. Her portrayal of Turnbull’s personality eventually proved to be freakily accurate as he struggled to handle the “Utegate” affair. Annabel’s carefully crafted essay also showcases her considerable gift for writing.

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All Media: Best Scoop of the Year

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John Garnaut and Mathew Murphy
Lenore Taylor, The Sydney Morning Herald, “ET S off the agenda until late next term”
Lenore Taylor’s scoop, that the Rudd government had shelved action on an emissions trading scheme (ET S), changed the course of Australian politics. The prime minister recorded the largest drop in personal satisfaction rating over the shortest period of time in the 20-year history of Newspoll, plummeting 11 percentage points between a poll taken just before the story appeared and one conducted shortly afterwards. The ET S had been Rudd’s centrepiece policy to address what he had described as “the greatest moral challenge of our time”. The leak revealed a political decision made at the worst possible time for the government. Taylor pieced together the story over several days with repeated phone calls to trusted political and bureaucratic contacts built up over two decades of reporting federal politics. When the Australian Federal Police were called in to investigate, it took them several months to interview everyone she had called. Taylor’s scoop surprised the public and even government ministers.
Lenore Taylor has covered federal politics for most of the past 22 years, for The Canberra Times, The Australian, The Australian Financial Review and The Sydney Morning Herald. From 2000 to 2003, she was the AFR’s London-based European correspondent. She is now national affairs correspondent for the Herald, writing a Saturday column, analysis and stories that delve behind the daily news.
Judges’ comments
Taylor’s revelation, that Rudd planned to shelve the ET S, took both the public and most of Rudd’s own ministers by surprise. Taylor exposed a political decision which is recognised as one of the key precursors to Rudd’s downfall. Building her story over several days through back channel sources and her command of the issue, Taylor produced a scoop, well ahead of her rivals, which could not be denied by manipulative spin.

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Best Cartoon

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Peter Nicholson
Mark Knight, The Herald Sun, “Moving forward”
Julia Gillard’s election slogan “Moving forward”, used ad nauseum on the very first day of the campaign, acquired satirical status with lightning speed. By day two it had worn thin enough for Mark Knight to depict the PM as a gramophone endlessly stuck on a loop of the phrase. The cartoonist wanted to capture how focus-group phraseology like “moving forward” might sound to punters out in the electorate.
Mark Knight joined The Sydney Morning Herald as a cadet in 1981 and worked in the art department. From 1984-1987 he was political cartoonist for The Australian Financial Review. He later joined HWT /News Limited and worked until 1990 as the political cartoonist for The Herald in Melbourne. His political cartoons are in the collection of the Victorian State Library and the National Library, the Museum of Australia and The National War Memorial, as well as private collections.
Judges’ comments
Paying homage to His Master’s Voice, Knight captured the debilitating effect on the public and press gallery. Sharp drafting style and sharper wit. A perfectly pitched gag.

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Best Artwork

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David Rowe

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Eric Lobbecke, The Australian, “Rudd’s dangerous climate retreat”
If you’re like Eric Lobbecke, the best way to draw an analogy is to physically draw it. His “Rudd’s dangerous climate retreat” illustration, produced in the wake of the news that Kevin Rudd would change his position on climate change action, ran with an opinion piece by Paul Kelly, who branded Rudd’s decision the “most spectacular backdown by a prime minister in the past century”. Napoleon never recovered from his decision to turn back from his imperial march. His army suffered terrible losses in the retreat from Moscow through the brutal Russian winter while, back in France, a coup d’état was brewing. Like Rudd’s, it was a fateful volte-face; there was trouble on the home front, and climate played a hand.

Eric Lobbecke is given all of two to three hours to produce his news illustrations, from scratch. “We receive the article to read and generally I draw the idea in pencil, then scan it into the computer and colour it with Photoshop,” he writes. Lobbecke has illustrated for News Limited since 1988. Until last year, he worked as editorial cartoonist for The Sunday Telegraph for 11 years. He has illustrated four children’s books and written one.
Judges’ comments
The demands on newspaper artists to provide quality illustrations, often in full colour, are sometimes crippling to the creative process. Interpreting an opinion article, and representing that point of view adequately, demands mastery of the materials of the trade and a nimble social and political conscience. Lobbecke’s submission not only served to illustrate Kevin Rudd’s failure to deliver his ET S policy, but also contributed a historically literate allegory to Paul Kelly’s article. A masterful blend of both traditional and computer-based artistic techniques delivered a most impressive result.

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Outstanding Continuous Coverage of an Issue or Event

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The heraldsun.com.au team

 

Stephen Fitzpatrick, The Australian, “Sri Lankan asylum seeker stand-off”
News of the interception of two groups of Sri Lankan asylum seekers on the high seas last October acquired an immediate political focus in the media, triggering the Rudd government’s “Indonesia solution crisis”. Meanwhile, no-one had spoken to the
individuals at the centre of the story. Stephen Fitzpatrick fixed this when he tossed a mobile phone aboard with written instructions in English and Indonesian to call him. His journalism helped humanise the asylum seekers and their plight, while holding immigration officials in both countries to scrutiny.
Fitzpatrick, then The Australian’s Jakarta correspondent, led the reporting of the affair, consistently breaking stories after the first of the two boats carrying asylum seekers docked in Merak in western Java. His exclusive interviews on board were
cited in news reports worldwide. The efforts by Jakarta and Canberra to prevent both groups from talking to the media effectively treated the Sri Lankans as criminals by denying them the basic human right of freedom of expression. This situation presented significant ethical questions as well as reporting and technological challenges.
The first pictures of desperate conditions on the Merak boat came via a mobile phone memory card smuggled to shore, its images quickly transmitted by satellite phone to The Australian’s picture desk. A laptop computer and modem were later secreted aboard the same vessel, at great risk to the asylum seekers and Fitzpatrick himself from Indonesian authorities. Stephen Fitzpatrick was The Australian’s Jakarta correspondent for almost five years until August 2010. Previously he spent several years as the paper’s world news editor. Fitzpatrick has covered some of Indonesia’s biggest stories of recent times and has reported extensively on East Timor.
Judges’ comments
Stephen Fitzpatrick displayed creativity, tenacity and a concern for the plight of the highly vulnerable people caught in the controversies at Merak and on the Oceanic Viking. He overcame obstacles to reach these people and bring their perspectives to Australian and, ultimately, international attention. His compelling stories came just as the asylum issue emerged as a critical political battleground in Australia.

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Newspaper Feature Writing

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Patrick Carlyon

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Patrick Carlyon, Herald Sun, “Where the Hell is Everyone?”  

In the wake of the Black Saturday fires the entire town of Marysville had vanished. The exact death toll was unclear – and so was why so many locals had been caught unaware. Patrick Carlyon went to evacuation centres and spoke to survivors in his attempt to reconstruct the events before, during and after the Marysville catastrophe.

Inspired by John Hersey’s 1946 book Hiroshima, Carlyon focused on four victims for the spine of the piece, and found power in describing the sheer ordinariness of their lives before the flames. Continually asking through the writing process, “What was it like to be there?”, Carlyon re-created the themes of confusion and broken-down communication that marked the tragedy.

Patrick Carlyon has been a features writer at the Herald Sun since 2008. Previously, he worked at The Bulletin, where he covered several Olympic Games. Patrick has also contributed profiles and colour stories to many other magazines, including Good Weekend and Gourmet Traveller.

Judges’ comments

A strong, comprehensive, compelling read. There’s an elegance to his writing that goes beyond normal newspaper feature writing. Patrick Carlyon has a good forensic detail that gives strength to the story’s eloquence. It gives the reader a direct connection with those caught up in the disaster, planting them right in the middle of it all. He has a beautiful turn of phrase.

Read "Where the hell is everyone?"

 

Nikon-Walkley Press Photographer of the Year

Jason South, The Age

Jason South’s photojournalism exposed the brutal approach to mental illness in Indonesia, where the ill are known as “orang di pasung”, which means “people in stocks”. An estimated 30,000 are kept in shackles throughout Indonesia. In one facility South photographed there is no medical treatment, just potions, massage and prayer. Many of the patients are naked and nearly half of them are chained to poles. Closer to home, South snapped Liberal leader Tony Abbott off guard and on the campaign trail and captured a moment of historic uncertainty for Prime Minister Julia Gillard and Tim Mathieson as they left the stage on election night, not sure if she would be in a position to form a minority government. He documented the maudlin extravagance of an underworld funeral, as mourners carried the coffin of slain underworld figure Carl Williams from the church in a gold casket. And South singled out Vietnam veteran Barry Brewer at the Anzac Day dawn service at the Shrine of Remembrance in Melbourne.

South began his career at the Sunday News in New Zealand. He moved to Australia in 1993 and two years later joined The Age. Jason was the Nikon Photographer of the Year in 1999 and the Nikon–Walkley Press Photographer of the Year in 2003. Last year he won the Walkley award for Photographic Essay.

Judges’ comments
A remarkably beautiful series of images, though often reflecting such debasing circumstances. Jason has produced a folio of world-class photojournalism, bringing to the public images of places and circumstances otherwise hidden from the world.

 

News Photography

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Justin McManus

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Brett Costello, The Daily Telegraph, “Jessica”
Though she was just one day away from Sydney Harbour, those on shore had only a rough idea of Jessica Watson’s location. And as Brett Costello took off in a helicopter to find the solo roundthe-world yachtswoman he became aware how small and insignificant a 33-foot yacht is, 60 nautical miles off Sydney in the Pacific Ocean. Daylight hours were short on this May afternoon, making it all the more important to find her quickly, then capture the 16-year-old sailor braving the harsh elements. Spying Watson’s tiny pink boat, Costello navigated the chopper pilot to a position where a storm was approaching and the swell was at its most dramatic angle. After a period of intense concentration and patience, Costello finally captured the yacht launching off the right wave, the type that Watson calls a “liquid mountain”. Brett Costello started as a cadet photographer at The Daily Telegraph in 1998. Soon after, he covered the Australian summer of cricket for News Limited. A tour to England followed for the 2001 Ashes.
On returning, he moved to a full-time position as a sports photographer. Recent highlights have included covering the 2008 Beijing Olympics, the 2009 Copenhagen Climate Change Summit and the 2010 Delhi Commonwealth Games.
Judges’ comments
A dramatic image of a vulnerable little pink boat in a dark, threatening sea. The boat itself, battling the ocean and the looming storm, becomes the subject. This image tells the story perfectly without even seeing the subject and what she achieved.

See "Black Saturday Body"

All Media: Business Journalism

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Duncan Hughes

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Duncan Hughes, The Australian Financial Review, “ASIC Knew About Storm for Months”  

The collapse of Townsville-based Storm Financial on January 11 was the moment the global financial crisis became personal. Overnight, thousands of Australians lost their life savings and faced losing their homes. But no-one wanted to take responsibility – not the banks, not Storm founder Emmanuel Cassimatis, or the advisers.

Duncan Hughes spent weeks talking to Storm clients, staff and bank employees, and pulled together a picture of an investment operation careening out of control. He found evidence of the Commonwealth Bank’s implication in the billions of dollars lost, even as the bank continued to deny responsibility. Eventually filing more than 90 articles, Hughes’s coverage played a significant role in forcing the banks to admit responsibility and make settlement offers to Storm clients; every one of those clients will say that’s journalism with a real impact. ASIC inquiries are continuing.

Duncan Hughes completed a graduate cadetship at The Herald, Melbourne, in 1980 and spent three years as a general and police reporter. He has worked for London’s Daily Telegraph, the South China Morning Post and reported from New York for the Post and (UK) Sunday Business. He returned to Australia in 2004 where he initially worked for The Age before joining The Australian Financial Review.

Judges’ comments

It’s a forensic analysis of one of the biggest business stories of the last 12 months. These stories revealed new details of the involvement of the Commonwealth Bank’s massive lending to clients of Storm Financial. The story had considerable public impact, helping force the Commonwealth Bank to admit its role.

Read "ASIC knew about Storm for months" (Page 2)

Read "Banks caught in eye of Storm" (Page 2) (Page 3)

Read "How CBA stepped up for Storm Financial" (Page 2)

Photographic Essay

Phil Hillyard, The Daily Telegraph, “Prime Minister Julia Gillard”

Phill Hillyard is primarily a sports photographer used to snapping the moment of impact between AFL ruckmen, not photographing a political grudge match. But when he got the call from his picture editor, Hillyard went straight from a weekend double sports shift to document the first week in office of the new prime minister. It was a daunting task. “Parliament House to me was that big building on the left as you drive to rugby league matches at Bruce Stadium,” he says. The week started off slowly, but once he started to get a few pictures his confidence grew, and he was able to capture Julia Gillard with her guard down, providing readers with an exclusive insight into the life of the new leader. Phil Hillyard began his career as a copy boy with the Adelaide News, gaining a cadetship as a photographer eight months later in 1989. After its closure in 1992, Hillyard freelanced for a few years. He transferred to The Daily Telegraph in 1998 and is currently working as their sports photographer.

He has won many national and international awards for his work, including five Walkley Awards. He was named Australian Press Photographer of the Year in 2001. Judges’ comment Phil Hillyard’s essay offers us a candid insight into a time that would become one of the most significant stories in Australian politics. There have been many such essays over the years and the challenge is to record without intrusion or control by media units. It is clear that Julia Gillard was comfortable with his presence. Though the lighting was dictated by the moment, Hillyard has produced an essay that is varied, unrestricted and an intimate illustration of Australia’s first female prime minister. 

The Walkley Book Award

Shirley Shackleton, The Circle of Silence: A personal testimony before, during and after Balibo (Murdoch Books)
When her husband Greg was killed reporting the crisis in East Timor at the age of 27, Shirley Shackleton began an accidental career as a human-rights activist, becoming tied to the history of the country and its struggle for independence. Her fierce determination to expose the truth surrounding the killing of the Balibo Five in 1975 led her to confront Indonesian General Benny Murdani in the dining room of Dili’s Hotel Turismo and to turn her unrelenting gaze on Australia’s own government. This book is testimony to her work in East Timor, and an insight into a defining

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